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Free for Commercial Use

Slab Unbracketed Ryja 3 is a regular weight, very wide, low contrast, italic, normal x-height font.

Keywords: headlines, posters, branding, sports, technology, futuristic, technical, sporty, sleek, retro-modern, speed cue, tech voice, display impact, brand distinctiveness, oblique, expanded, geometric, square-serif, rounded corners.


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A wide, oblique slab serif with low stroke contrast and a distinctly expanded footprint. The letterforms blend squared, unbracketed slab terminals with softened corners, producing a streamlined, almost aerodynamic outline. Curves are generously rounded and often slightly squarish in their construction (notably in bowls and counters), while horizontals and diagonals keep a crisp, engineered feel. Spacing and rhythm favor a broad, open stance, with a consistent, steady stroke that maintains clarity at display sizes.

Best suited for headlines, posters, logos, and short bursts of text where its expanded, slanted slabs can set a confident tone. It works especially well for technology, automotive, and sports-oriented branding, as well as packaging and signage that benefit from a bold, engineered silhouette. For longer passages, it will read most comfortably at larger sizes where the wide rhythm has room to breathe.

The font projects a futuristic, technical tone with a sporty, forward-leaning energy. Its wide proportions and squared slab endings suggest machinery, instrumentation, and industrial design, while the rounded shaping keeps it approachable rather than harsh. Overall it feels retro-modern—evoking late-20th-century sci‑fi and performance branding without becoming overly decorative.

The design appears intended to merge slab-serif authority with an oblique, high-speed posture and geometric, rounded-square construction. It aims for a contemporary display voice that feels engineered and performance-minded, prioritizing distinctive silhouette and rhythmic width over traditional text neutrality.

The numerals share the same wide, oblique construction and rounded-rectangle geometry, helping text and figures feel unified. Uppercase forms read particularly strong and emblematic, while the lowercase maintains the same angular-slash motion and broad stance, making mixed-case setting look distinctive and stylized rather than neutral.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸