Sans Superellipse Otrow 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka and 'Industria Sans' and 'Industria Serif' by Resistenza (names referenced only for comparison).
Keywords: headlines, posters, logotypes, signage, packaging, industrial, athletic, retro, technical, assertive, impact, space-saving, branding, squared, rounded corners, blocky, stencil-like, compact.
This typeface is built from squared, rounded-rectangle forms with generously rounded corners and mostly uniform stroke weight. Curves resolve into superellipse-like bowls and counters, producing boxy, compact letterforms with tight internal space and strong color on the page. Terminals tend to be blunt and flat, with occasional angled cuts (notably in diagonals and some joins) that add a slightly engineered, machined feel. The uppercase reads wide and sturdy with simplified geometry, while the lowercase is similarly constructed, keeping a consistent, modular rhythm across the set. Numerals follow the same rounded-rectangle logic, staying dense and highly legible at display sizes.
Best suited for headlines, short statements, and branding where a compact, high-impact sans is needed. It should perform well on signage, labels, and packaging that benefit from bold, squared letterforms and clear numerals, especially at medium to large sizes.
The overall tone is tough, utilitarian, and performance-oriented, evoking sports branding, industrial labeling, and retro-futuristic signage. Its squared softness balances friendliness with authority, reading as modern but with a clear vintage display flavor.
The font appears designed to deliver a robust, space-efficient display voice using superellipse geometry—prioritizing strong silhouettes, simplified construction, and a consistent rounded-rectangle motif for immediate recognition.
The design emphasizes high impact and consistency over delicate detail: counters are relatively small, and the heavy, squared shapes create a strong, poster-like texture in continuous text. Round letters (like O/C) appear more like rounded squares than circles, reinforcing the geometric theme.