Sans Faceted Heho 10 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'Kairos Sans' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, signage, wayfinding, packaging, industrial, technical, utilitarian, architectural, retro, space saving, technical voice, display impact, systematic geometry, faceted, angular, condensed, geometric, monolinear.
This typeface is a condensed, monolinear sans with planar, faceted construction: curves are consistently interpreted as short straight segments with clipped corners, creating octagonal rounds in letters like O, C, and G. Strokes maintain even thickness with squared terminals, and the overall drawing is tall and compact with tight interior counters that keep the texture firm. The lowercase is straightforward and narrow, with single-storey forms (notably a and g) and minimal modulation; joins and diagonals are crisp and mechanically consistent. Numerals follow the same faceted logic, producing sturdy, sign-like figures with clear angles and restrained detailing.
It works best for short-to-medium display settings where its condensed width and faceted forms can read as a deliberate stylistic choice—headlines, posters, branding accents, packaging, and directional signage. It can also suit UI labels or technical diagrams when a compact, industrial voice is desired, while long body text may feel visually insistent due to the tight counters and angular construction.
The faceted geometry and condensed stance give the font a technical, engineered tone—suggesting machinery labels, architectural wayfinding, or sci‑fi interfaces rather than conversational text. Its sharp corners and clipped rounds feel pragmatic and slightly retro, evoking industrial engraving and early digital display aesthetics.
The design appears intended to translate geometric sans proportions into an angular, chamfered system that replaces smooth curves with facets, yielding a sturdy, engineered look. The consistent stroke weight and narrow fit suggest a focus on space-efficient, high-impact titling and functional display typography.
A distinctive feature is the systematic corner-cutting across bowls and bends, which keeps shapes uniform and helps differentiate similar glyphs through angles rather than contrast. The overall rhythm is vertical and economical, producing a dense, orderly color in longer lines of text.