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Free for Commercial Use

Sans Other Amkad 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Area' by Blaze Type, 'Aspira' by Durotype, 'Informatic' by Fatchair, 'FF Mark Paneuropean' by FontFont, and 'Artico' by cretype (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids media, branding, playful, bold, bouncy, casual, friendly, display impact, playful tone, handmade feel, friendly branding, rounded, chunky, soft corners, irregular tilt, puffy.


Free for commercial use
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A heavy, chunky sans with rounded, softened corners and subtly uneven contours that give it a hand-cut, cartoon-like feel. Strokes are broadly consistent and low in contrast, with large counters and open apertures that keep the dense weight readable. Many glyphs show slight, varied leaning and gentle curvature, creating a lively rhythm across words while maintaining simple, sans-based construction. The lowercase is compact and sturdy, with single-story forms and simplified joins; numerals are similarly weighty and rounded, matching the overall mass and texture.

Best suited for short, high-impact display use such as headlines, posters, product packaging, and playful branding. It also works well for children’s media, event graphics, and promotional callouts where a friendly, attention-grabbing voice is desired; for long-form reading, the intentional wobble may feel busy.

The overall tone is upbeat and informal, with a buoyant, slightly quirky energy. Its exaggerated heft and soft edges read as friendly and approachable, leaning toward humorous or kid-forward communication rather than formal or technical settings.

The design appears intended to deliver a bold, approachable display voice with hand-made character while staying within a simple sans framework. It prioritizes personality and punch—softening corners and introducing small irregularities—to feel more human and fun than a strictly geometric or neutral grotesk.

The texture is intentionally irregular: some letters appear subtly skewed or differently weighted side-to-side, which enhances personality but can introduce a wavy baseline color in longer passages. The design’s large internal spaces help it hold up at display sizes, where the playful shaping is most apparent.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸