Sans Superellipse Abdog 1 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Protipo' by TypeTogether and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: ui text, app design, branding, wayfinding, packaging, modern, clean, friendly, neutral, technical, legibility, modernization, neutrality, system design, geometric warmth, geometric, rounded, monoline, open apertures, compact counters.
This sans serif shows a geometric, superellipse-driven construction with rounded-rectangle bowls and smoothly curved joins. Strokes are largely monoline with minimal modulation, and terminals read clean and blunt rather than calligraphic. Proportions are contemporary with a prominent x-height and compact internal counters, while round letters (C, O, G) keep an even, controlled curvature. The lowercase uses a single-storey a and g, and overall spacing feels straightforward and systematic, supporting crisp word shapes at display and text sizes.
It fits well in UI and product typography where clarity and a neutral tone are priorities, especially for labels, navigation, and settings text. The rounded geometric forms also make it suitable for contemporary branding and packaging that wants a clean, friendly presence, as well as signage or wayfinding where simple silhouettes aid quick recognition.
The tone is modern and approachable, balancing a utilitarian clarity with soft, rounded geometry. It feels orderly and dependable rather than expressive, giving text a calm, contemporary voice that suits interface and product contexts.
The design appears intended to deliver a modern, geometric sans with softened superellipse forms—prioritizing legibility, consistency, and a contemporary feel over stylistic flourish. Its large x-height and straightforward shapes suggest an emphasis on practical reading and reliable performance across a range of sizes.
Distinctive cues include the single-storey a and g, a sturdy, open e with a horizontal crossbar, and numerals that follow the same rounded-rectilinear logic as the letters. The overall rhythm is even and consistent, with clear differentiation between similar forms and a restrained, corporate-friendly personality.