Sans Superellipse Ubnob 15 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Molde' by Letritas, 'Sztos' by Machalski, 'Amsi Grotesk' by Stawix, 'Manual' by TypeUnion, and 'Calps' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, merchandise, sporty, retro, punchy, playful, industrial, space saving, high impact, rugged print, friendly geometry, display focus, condensed, rounded, oblique, blocky, soft corners.
A compact, heavy sans with an oblique posture and rounded-rectangle construction. The strokes are thick and largely uniform, with softened corners and subtly irregular, hand-cut edges that keep the silhouettes from feeling purely geometric. Counters are small and often squarish, and terminals tend to be blunt or slightly angled, reinforcing a sturdy, stamped look. The overall rhythm is tight and vertical, with compact spacing and sturdy, simplified forms that stay legible at display sizes.
Best suited for headlines, posters, and short statements where dense black coverage and compact width create immediate impact. It works well for sports branding, event promos, packaging callouts, and merchandise graphics where a bold, friendly-industrial voice is desirable. For longer text, it will generally perform better at larger sizes and with generous line spacing to avoid dark, crowded paragraphs.
The font reads as energetic and assertive, with a casual, sporty attitude. Its rounded geometry adds friendliness, while the weight and compressed feel deliver impact suited to attention-grabbing headlines. The slight roughness gives it a tactile, poster-like tone that feels retro without becoming ornate.
The design appears intended to deliver maximum punch in limited horizontal space while maintaining approachable, rounded geometry. It aims for a high-impact display look with a slightly rugged, printed character—useful for branding systems that want both toughness and friendliness.
Round letters like O and Q stay close to superelliptical shapes, and diagonals (V, W, X, Y) are thick and emphatic, enhancing the bold, graphic texture. Numerals are similarly hefty and compact, matching the uppercase for strong set consistency. The overall impression is more display-driven than text-driven due to dense color and tight internal spaces.