Sans Normal Kobus 5 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Classic Grotesque' by Monotype, 'Otoiwo Grotesk' by Pepper Type, 'Core Sans E' and 'Core Sans ES' by S-Core, 'NeoGram' by The Northern Block, and 'Dylan Condensed' by Wiescher Design (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, dynamic, modern, confident, friendly, emphasis, impact, speed, clarity, modernity, oblique, rounded, geometric, clean, high legibility.
This typeface is a heavy, oblique sans with smooth, rounded curves and a clean, geometric construction. Strokes remain largely uniform, with softened joins and terminals that keep counters open and shapes clear at display sizes. The oblique slant is pronounced and consistent across upper- and lowercase, producing a forward-leaning rhythm without introducing calligraphic contrast. Forms like the round letters and numerals read as compact and sturdy, while diagonals (such as in A, K, V, W, X, Y) are crisp and decisive.
It is well suited to short-to-medium display text such as headlines, posters, and promotional graphics where the oblique emphasis adds impact. The sturdy, rounded shapes can work effectively for branding and packaging, especially for energetic or youth-oriented identities. It can also serve as a strong supporting italic in systems that need a prominent, attention-getting voice.
The overall tone is energetic and assertive, with a forward motion that feels sporty and contemporary. Its rounded geometry keeps the mood approachable rather than aggressive, making it feel confident and upbeat. The combination of weight and slant suggests speed, emphasis, and momentum.
The design appears intended to deliver a modern, high-impact oblique sans that stays clean and legible while conveying speed and emphasis. Its geometry and uniform stroke behavior prioritize clarity and consistency, while the heavy weight and pronounced slant provide a strong, expressive presence for display use.
The uppercase set appears tightly built with broad, stable shapes, while the lowercase maintains clear differentiation between similar forms (for example, i/j and c/e) through straightforward detailing. Numerals follow the same robust, rounded logic, reading clearly with minimal stylistic quirks. In paragraph samples, the slant creates a strong directional texture, so line spacing and measure will influence readability at smaller sizes.