Sans Normal Olneb 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Globe Grotesk Display' by Jan Charvát, 'Futura Paneuropean' by Linotype, 'Futura SH' by Scangraphic Digital Type Collection, 'Futura TS' by TypeShop Collection, and 'URW Form' and 'URW Geometric' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, packaging, friendly, confident, clean, modern, approachable, impact, clarity, versatility, modernity, geometric, rounded, compact, solid, even.
This typeface is a heavy, geometric sans with broad, rounded curves and predominantly straight, orthogonal terminals. Strokes are uniform and full, with large counters that keep letters open despite the weight. Uppercase forms feel compact and stable, while lowercase shapes maintain simple construction with clear bowls and short, sturdy joins; the two‑storey “a” and single‑storey “g” reinforce a contemporary, utilitarian build. Numerals are equally robust and rounded, with strong, legible silhouettes and minimal detailing.
It performs best where strong impact and quick recognition are needed, such as headlines, brand marks, posters, and wayfinding. The open counters and straightforward shapes also make it suitable for short bursts of text in UI labels, packaging callouts, and marketing copy at moderate sizes.
The overall tone is modern and approachable, combining a friendly roundness with a confident, no-nonsense solidity. It reads as clean and contemporary, with enough softness in the curves to feel welcoming rather than stern.
The design intention appears to be a versatile, contemporary sans that prioritizes clarity and punch while staying friendly through rounded geometry. Its sturdy strokes and simplified forms suggest it was drawn to hold up well in bold display settings and high-contrast reproduction contexts.
The design favors simple geometry and consistent rhythm over calligraphic nuance, producing smooth texture in paragraphs and strong presence in larger settings. Curved letters (C, G, O, Q) are notably circular, while diagonals (V, W, X, Y) are wide and emphatic, supporting an energetic, forward feel.