Sans Other Uhso 5 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, branding, posters, tech ui, titles, futuristic, technical, minimal, geometric, schematic, tech aesthetic, geometric construction, distinctive display, modular system, monoline, angular, octagonal, outlined, modular.
A monoline, outline-driven sans with a modular construction and squared, octagonal turns. Corners are frequently chamfered rather than rounded, giving bowls and counters a faceted feel; curves are implied through straight segments. Strokes maintain a consistent thin weight and terminate in crisp right angles or clipped corners, producing an open, airy color on the page. Proportions are slightly condensed in places, with tall, narrow forms and simplified joins that keep silhouettes clean and mechanical.
Best suited to headlines, titles, and branding where a futuristic or technical voice is desirable. It can work for short UI labels, packaging callouts, and poster typography when set at comfortable sizes, allowing the thin outline strokes and faceted corners to remain legible and distinct.
The overall tone is futuristic and technical, evoking interfaces, schematics, and constructed lettering rather than handwriting or traditional print. Its precise geometry and thin outlines feel sleek and controlled, with a cool, engineered character.
The design appears intended to translate geometric, constructed letterforms into a consistent outline system, prioritizing a sleek, engineered aesthetic. Its clipped corners and straight-segment “curves” suggest an aim for a modular, tech-forward look that stands apart from conventional neo-grotesques.
Several glyphs use unconventional, modular solutions (notably faceted bowls and squared-off curves), which increases personality but also makes the design feel more display-oriented than utilitarian. The outline-only construction benefits from generous spacing and larger sizes, where the internal whitespace stays clear and the angular details read as intentional facets rather than breaks.