Solid Kobi 6 is a very bold, wide, low contrast, upright, normal x-height font.
Keywords: posters, headlines, logos, packaging, title cards, playful, retro, geometric, chunky, quirky, high impact, graphic branding, retro display, silhouette focus, stencil effect, stencil-like, rounded, angular, cutout, modular.
A heavy, geometric display face built from broad, solid forms with collapsed counters and deliberate cutouts. Curves tend toward near-circles and rounded terminals, while many joins and diagonals resolve into sharp wedges, producing a faceted rhythm. Letterforms feel modular and constructed, with frequent notch-like removals (notably in C/G/S and several numerals) that create a stencil/cut-paper effect. Spacing and proportions read generous and billboard-like, with simplified silhouettes prioritizing mass and shape over interior detail.
Best suited for large-format display work where its solid silhouettes and cutout details can be appreciated: posters, headlines, album or event graphics, packaging, and bold brand marks. It can also work well for short title cards or splash screens where high impact matters more than fine-grained readability.
The overall tone is playful and retro, with a toy-block boldness that feels confident and graphic. Its idiosyncratic cutouts add a mischievous, slightly futuristic flair—more pop-art and arcade than formal or literary. The dense black presence gives it strong attitude while the rounded geometry keeps it friendly.
The design appears intended to deliver maximum visual impact through simplified, filled-in letter interiors and distinctive geometric cutouts. It aims for a consistent, modular shape language that feels crafted and graphic, emphasizing silhouette recognition and a playful retro-futurist character in display settings.
Because many counters are filled or reduced to small apertures, differentiation relies on outer silhouettes and the placement of notches, which becomes more effective at larger sizes. Numerals follow the same cutout logic, reading as chunky signage figures rather than text figures, and punctuation/apostrophe shapes in the sample reinforce the constructed, solid aesthetic.