Font Hero

Free for Commercial Use

Serif Flared Fuhy 5 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Mestiza' by Lechuga Type, 'Friz Quadrata SB' and 'Friz Quadrata SH' by Scangraphic Digital Type Collection, and 'Alverata' and 'Alverata PanEuropean' by TypeTogether (names referenced only for comparison).

Keywords: headlines, posters, editorial, branding, packaging, authoritative, heritage, stately, collegiate, impact, tradition, authority, refinement, bracketed serifs, flared terminals, ball terminals, spurlike joins, softened corners.


Free for commercial use
Customize the font name

A very heavy serif design with compact counters and a steady, upright stance. The stroke endings flare and bracket into wedge-like serifs, giving the shapes a carved, slightly calligraphic finish rather than blunt slabs. Rounds (C, O, G) are broad and smooth with modest contrast, while joins and diagonals show subtle swelling that adds warmth to the dense color. Lowercase forms are sturdy and compact, with prominent shoulders and occasional ball terminals (notably on letters like a), and the numerals follow the same weighty, sculpted rhythm.

Best suited to headlines, mastheads, and short-form copy where its weight and flared serifs can do the work of signaling hierarchy and tone. It can also support branding, packaging, and event materials that need a traditional, premium feel, especially in larger sizes where the sculpted terminals and brackets read cleanly.

The overall tone is confident and traditional, projecting a classic, institutional voice. Its bold presence reads as ceremonial and emphatic, with a vintage editorial flavor that feels at home in established brands and formal messaging.

The design appears intended to deliver maximum impact while retaining classical serif cues. By combining heavy strokes with flared, bracketed endings, it aims to feel both forceful and refined—more engraved and heritage-leaning than purely geometric or industrial.

The design maintains strong consistency across caps, lowercase, and figures, producing an even, dark typographic color. Tight interior spaces in letters like e, a, and s suggest it is best used with comfortable tracking and generous line spacing when set in paragraphs, while its flared details remain clear at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸