Sans Superellipse Ifma 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Gilam' and 'Glober' by Fontfabric, 'Graviola' by Harbor Type, 'Calton' by LetterMaker, 'Marat Sans' by Ludwig Type, 'Roihu' by Melvastype, 'Janone' by Outras Fontes, 'Frygia' by Stawix, and 'TT Norms Pro' by TypeType (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, branding, playful, friendly, punchy, bold, impact, approachability, brandability, playfulness, rounded, soft-cornered, chunky, compact, bouncy.
A heavy, rounded sans with superellipse-driven geometry: corners are broadly softened, curves are full, and straight strokes end in blunt, squared terminals with generous rounding. Counters are compact and fairly uniform, producing a dense, high-ink silhouette that stays consistent across the alphabet and numerals. The drawing favors simple, sturdy construction with minimal modulation, and the overall rhythm feels slightly bouncy due to subtle asymmetries and the way rounded joins swell at intersections.
This font performs best in short, bold settings such as headlines, display copy, posters, and packaging where its dense silhouettes and rounded corners can carry impact. It is also well suited to logo and brand wordmarks that want a friendly, contemporary voice and strong presence at larger sizes.
The overall tone is upbeat and approachable, with a toy-like softness that reads as friendly rather than severe. Its chunky forms and compact counters give it a punchy, attention-grabbing presence suited to energetic messaging.
The design appears intended to deliver maximum presence with soft, rounded geometry—combining a contemporary, superellipse-based structure with approachable, playful character. It prioritizes bold readability and brandable personality over delicate detail.
Round characters like O, C, and G lean toward rounded-rectangle forms rather than perfect circles, reinforcing a squarish, contemporary softness. Several shapes show intentional quirk—such as the angled joins in K and the sturdy, blocky numerals—adding personality without breaking consistency.