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Free for Commercial Use

Sans Normal Osmin 19 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'FF Milo' by FontFont, 'Whitney' by Hoefler & Co., 'Linotype Aroma No. 2' by Linotype, 'TheSans' by LucasFonts, and 'Klein' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, punchy, modern, sporty, impact, clarity, approachability, display, rounded, blocky, compact, clean, geometric.


Free for commercial use
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A heavy, rounded sans with compact proportions and broad, even strokes that keep contrast to a minimum. Curves are smooth and generously filled, while terminals read as cleanly cut with softened corners rather than sharp points. Counters are relatively tight in letters like a, e, and s, and the overall rhythm is dense and steady, designed to hold together as a solid silhouette at display sizes. The numeral set follows the same chunky, rounded construction with clear, uncomplicated forms.

Best suited for headlines, posters, and short, high-impact statements where strong typographic color is desirable. It can work well for branding, packaging, and signage that needs a friendly but forceful presence, especially in modern retail, sports, or entertainment contexts. In longer passages, the dense counters and heavy weight suggest using larger sizes and generous leading for comfort.

The tone is bold and upbeat, projecting a straightforward, energetic voice. Its roundness keeps it approachable, while the mass and compact spacing make it feel assertive and attention-grabbing. Overall it suggests contemporary, practical messaging rather than delicate or formal typography.

The design appears intended to deliver maximum impact with a simple, geometric construction and approachable rounded forms. It prioritizes bold legibility and a consistent, solid texture over fine detail, making it well adapted to contemporary display typography.

Uppercase forms feel stable and block-like, with wide bowls and sturdy joins, while lowercase maintains a similarly compact footprint and strong color on the page. The ampersand in the sample text matches the font’s thick, rounded construction, reinforcing a consistent, no-nonsense display character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸