Sans Superellipse Omboj 3 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Futura ND', 'Futura ND Alternate', and 'Futura Next' by Neufville Digital; 'Fact' and 'Futura PT' by ParaType; 'Futura SB' and 'Futura SH' by Scangraphic Digital Type Collection; and 'Futura Round' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, branding, industrial, utilitarian, condensed, assertive, modern, space saving, high impact, modern utility, signage clarity, tall, compact, blocky, rounded corners, tight spacing.
A compact, tall sans with strongly condensed proportions and a firm, even stroke weight. Curves resolve into squared, rounded-rectangle forms rather than fully circular bowls, giving letters a superelliptical, engineered feel. Terminals are mostly straight and clean, counters are tight, and joins are sturdy, producing a dense texture in text. Numerals and capitals share the same vertical emphasis, with consistent, monoline-like construction and minimal modulation.
Best suited to short, high-impact settings such as headlines, posters, packaging fronts, and condensed branding wordmarks where space is limited. It can also serve in wayfinding or signage-style applications that benefit from a tight footprint and strong typographic color, while longer text will feel dense and attention-grabbing.
The overall tone is direct and workmanlike, with a contemporary, industrial edge. Its narrow build and solid color create an assertive presence that reads as functional rather than decorative.
The design appears intended to deliver maximum impact in minimal horizontal space, pairing a condensed silhouette with rounded-rectangle construction for a modern, engineered personality. It prioritizes clarity and consistency over expressive stroke detail, aiming for a strong, practical display voice.
Round letters like O/C/G show noticeably squared curvature, while diagonals (A, V, W, X, Y) keep crisp, structural angles. Lowercase forms are straightforward and compact, and the punctuation/dots visible in the sample appear simple and sturdy, reinforcing the no-nonsense rhythm.