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Free for Commercial Use

Stencil Esga 16 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Dharma Slab' by Dharma Type, 'Akkordeon' by Emtype Foundry, 'Beardman' and 'Beardman Outline' by Jafar07, 'Garmint' by Maulana Creative, 'Monopol' by Suitcase Type Foundry, and 'Lugak Sans' by holyline design (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, branding, industrial, authoritative, retro, utilitarian, posterlike, space saving, stencil texture, high impact, industrial voice, condensed, blocky, stenciled, rectilinear, tall.


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A condensed, block-built stencil with heavy verticals and compact sidebearings. The forms are largely rectilinear with occasional rounded corners and minimal stroke modulation, creating an even, monolithic color. Distinct stencil breaks appear as narrow horizontal and vertical gaps that run through bowls, counters, and terminals, producing consistent bridges across the set. Lowercase is similarly narrow and tall, with simple, single-storey constructions and tight apertures; numerals follow the same compressed, sign-painter logic with squared-off curves and crisp cut-ins.

Best suited to display settings where a condensed, high-impact stencil look is desired—posters, bold headlines, product packaging, signage, and brand marks. It performs especially well at medium to large sizes where the internal bridges and gaps remain clearly legible.

The overall tone is industrial and no-nonsense, with a strong poster voice that reads as utilitarian and slightly retro. The stencil interruptions add a manufactured, military/supply-marking feel while keeping the typography bold and attention-seeking.

The design appears intended to deliver maximum visual punch in tight horizontal space while signaling a rugged, manufactured aesthetic. The systematic stencil bridges suggest use in contexts evoking labeling, crates, machinery, or industrial graphics.

The repeated internal cuts create a rhythmic texture across words, especially in all-caps, where the midline breaks align into a recognizable banding effect. Counters are kept relatively small, so the design favors impact and display clarity over delicate detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸