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Free for Commercial Use

Wacky Demep 3 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Press Gothic' by Canada Type, 'Kaneda Gothic' by Dharma Type, and 'Smart Sans' by Monotype (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, signage, industrial, stenciled, retro, assertive, quirky, attention, branding, texture, space-saving, statement, condensed, blocky, segmented, slab-like, notched.


Free for commercial use
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A tightly condensed, heavy display face built from chunky vertical stems and simplified geometry. Many letters are interrupted by consistent horizontal “breaks” that create a stencil-like, segmented construction, producing a strong striped rhythm across words. Curves are minimal and squared-off, counters are compact, and terminals tend toward blunt, squared endings, giving the set a rigid, engineered feel. Numerals and caps share the same compact, modular logic, with occasional exaggerated diagonals (notably in forms like V/W/X/Y) to keep the texture lively.

Best suited to short, high-impact settings such as headlines, posters, event graphics, and bold branding moments where the segmented construction can function as a distinctive signature. It can also work for packaging callouts or signage that benefits from an industrial-stencil aesthetic.

The overall tone is punchy and mechanical with a playful edge—like industrial lettering that’s been stylized into a graphic, almost poster-cut look. The repeated gaps read as intentional disruption, adding a wacky, attention-grabbing cadence that feels both retro and slightly futuristic.

The design appears intended to deliver maximum visual impact in minimal horizontal space while differentiating itself through repeated stencil breaks. Its consistent segmentation and simplified letterforms suggest a focus on graphic texture and memorability over continuous-text neutrality.

The mid-stroke breaks are a dominant visual motif and will strongly influence readability at smaller sizes; the design works best when the striped segmentation can be clearly perceived. The condensed proportions create a dense typographic color that’s effective for stacking and tight layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸