Sans Superellipse Kuri 9 is a regular weight, very wide, monoline, upright, normal x-height font.
Keywords: ui, headlines, branding, signage, packaging, futuristic, tech, sleek, clean, modular, modernize, systematize, soften tech, maximize clarity, rounded, geometric, superelliptical, soft corners, streamlined.
A geometric sans with superelliptical construction: bowls and counters resolve into rounded-rectangle shapes and smoothly chamfered corners rather than true circles. Strokes maintain a consistent thickness throughout, producing a crisp monoline rhythm, while terminals are predominantly rounded, giving the forms a soft-edged, engineered feel. Uppercase proportions read broad and stable, with generous interior space in letters like O, D, and Q; the lowercase carries a similarly geometric logic with compact, rounded joins and simplified details. Numerals are built from the same rounded-rectangle vocabulary, with open, horizontal shaping in 2, 3, and 5 and a squared-off, track-like 0.
Well-suited to interface typography, dashboards, and product UI where clean geometry and open counters aid clarity. It also performs strongly in headlines, logos, and contemporary branding, and can work for signage or packaging that benefits from a sleek, engineered aesthetic.
The overall tone feels modern and technological—calm, efficient, and slightly sci‑fi—tempered by rounded corners that keep it approachable rather than harsh. Its modular geometry suggests digital interfaces and product design, communicating precision and contemporary simplicity.
The letterforms appear designed to translate a rounded-rectangular, industrial geometry into a friendly but technical sans, emphasizing consistency across shapes and a contemporary, forward-looking texture. The goal seems to be a distinctive modern voice for display and UI contexts while maintaining straightforward legibility.
The design favors uniform curvature and flattened arcs, especially visible in C/G/S and the oval forms, which read as rounded rectangles rather than circular strokes. Diagonal letters (K, V, W, X, Y) are clean and minimal, and the family’s geometry stays consistent across capitals, lowercase, and figures for a cohesive system-like texture.