Sans Superellipse Adnak 2 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'JH Oleph' by JH Fonts (names referenced only for comparison).
Keywords: ui design, app branding, product design, wayfinding, headlines, modern, tech, clean, neutral, friendly, clarity, modernization, approachability, systematic design, digital readiness, rounded, geometric, monoline, open counters, soft corners.
A rounded geometric sans with monoline strokes and corners softened into superellipse-like curves. Round letters (O, C, G, Q) lean toward rounded-rectangle construction rather than perfect circles, while straight-sided forms keep a steady, engineered rhythm. Terminals are generally blunt and clean, joins are crisp, and counters stay open and spacious, supporting clarity at display and interface sizes. Numerals follow the same logic, with smooth curves and straightforward, highly legible silhouettes.
This font fits interface typography, dashboards, and product identity systems where a clear, modern voice is needed. Its rounded geometry also works well for signage and navigation graphics, and it can carry short to medium headlines while staying crisp and unobtrusive in continuous text at larger sizes.
The overall tone is modern and composed, balancing technical precision with approachable softness. Its rounded geometry reads contemporary and product-oriented, avoiding both strict austerity and overt playfulness. The result feels neutral, reliable, and slightly friendly—well suited to clean, modern visual systems.
The design appears intended to deliver a contemporary geometric sans built from softened, superellipse-inspired shapes for a polished, digital-ready feel. It aims for high legibility through open counters and simple forms, while the rounded construction adds warmth without sacrificing precision.
Proportions favor broad, stable shapes with generous interior space, and the lowercase maintains a straightforward construction without exaggerated calligraphic modulation. The sample text shows consistent spacing and an even typographic color, helping long lines feel orderly and calm.