Sans Superellipse Dulag 4 is a bold, wide, monoline, upright, normal x-height font visually similar to 'Aguda' and 'Aguda Stencil' by Graviton, 'Evanston Alehouse' and 'Evanston Tavern' by Kimmy Design, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: headlines, logos, branding, posters, ui labels, tech, futuristic, industrial, sporty, clean, modernize, systemize, futurism, impact, squared, rounded, modular, stencil-like, geometric.
A geometric sans with squared, rounded-corner construction and largely uniform stroke thickness. Curves resolve into superellipse-like bowls and rounded rectangles, producing boxy counters and flattened arcs. Terminals are blunt and consistent, with occasional angled joins on diagonals that add a slightly engineered, cut-metal feel. Spacing appears steady and compact, and the numerals mirror the same squared-round logic for a cohesive, systemlike rhythm.
Best suited to display roles such as headlines, wordmarks, packaging titles, and promotional graphics where its blocky geometry can read as intentional and distinctive. It can also work for short UI labels, dashboards, or product markings when a strong, technical voice is desired; for long passages, its heavy, squared forms may feel dense.
The overall tone is contemporary and technical, with a futuristic, utilitarian confidence. Its squared rounding and rigid geometry evoke interfaces, equipment labeling, and sci‑fi branding rather than editorial warmth.
The design appears intended to deliver a robust, modern sans that prioritizes geometric consistency and a compact, engineered silhouette. Its rounded-rectangle vocabulary suggests a focus on tech-forward branding and on-screen presence.
The lowercase is notably simplified and geometric (single-storey forms where applicable), keeping silhouettes crisp at display sizes. The design relies on repeated modules—rounded corners, squared bowls, and straight stems—which strengthens consistency across caps, lowercase, and figures.