Sans Superellipse Osbir 11 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Astoria Sans' by Alan Meeks, 'Mervato' by Arterfak Project, and 'Gill Sans Nova' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, signage, labels, branding, industrial, condensed, utilitarian, confident, retro, space saving, high impact, clear labeling, modern utility, geometric consistency, blocky, compact, rectilinear, rounded corners, sturdy.
A compact sans with sturdy, squared-off construction softened by subtly rounded corners and superellipse-like curves. Strokes are consistently heavy with minimal modulation, producing a dense, even color in text. Counters are relatively tight and apertures are controlled, while verticals dominate the rhythm. Forms lean toward geometric, with rounded rectangles shaping curves in letters like C, G, O, and S; terminals read clean and mostly blunt, supporting a crisp, engineered feel.
This style performs best in short, high-impact settings where space is limited: headlines, posters, packaging, wayfinding, and bold branding lockups. The dense stroke weight and compact width also suit labels and UI headers where a firm typographic voice is needed without large point sizes.
The overall tone is assertive and workmanlike, with a restrained retro-industrial character. Its condensed presence feels efficient and no-nonsense, projecting clarity and authority rather than softness or elegance.
The design appears intended to deliver maximum impact and legibility in a condensed footprint, using rounded-rectangle geometry to keep the texture consistent across straight and curved forms. It prioritizes a strong typographic color and a clean, modern-industrial silhouette for display-forward communication.
Uppercase shapes are compact and uniform, creating a strong headline texture. Numerals appear robust and highly legible, matching the letterforms’ squarish curvature and tight internal spaces for a cohesive set.