Sans Normal Omgoy 11 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'BR Nebula' by Brink, 'Sans Atwic Modern' by Caron twice, 'Moniak Sans' by Design Komando, 'Koran' and 'Pradock Sans' by Genesislab, 'Malva' by Harbor Type, and 'Canosa' by Propertype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, modern, friendly, confident, clean, straightforward, impact, clarity, modernity, approachability, versatility, geometric, rounded, compact, sturdy, high impact.
A heavy, geometric sans with largely circular bowls and smooth, simplified joins. Strokes are uniform with minimal modulation, giving the letterforms a solid, poster-like color on the page. Counters are relatively tight and apertures are more closed than open, which increases density in text. Terminals are clean and mostly flat, while curves stay broad and even; overall proportions feel compact with steady spacing and a consistent rhythm across caps, lowercase, and figures.
This font performs best in display roles such as headlines, posters, campaign graphics, and prominent UI or signage where high visual impact is needed. It can also work for brand systems and packaging that benefit from a contemporary, friendly geometric tone, especially at medium-to-large sizes.
The tone is contemporary and approachable, combining a friendly roundness with a firm, assertive weight. It reads as practical and no-nonsense rather than elegant, with an upbeat, everyday voice suited to bold communication.
The design appears intended to deliver a modern geometric sans that feels approachable while staying highly legible and forceful in display use. Its simplified geometry, even stroke weight, and compact proportions prioritize consistency and strong presence across a broad range of everyday typographic applications.
The numeral set matches the letters in weight and geometry, with rounded forms and stable, centered construction that keeps figures highly visible at display sizes. In longer samples, the dense counters and compact shapes create strong typographic presence, favoring short lines and large settings where punch and clarity are prioritized.