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Free for Commercial Use

Sans Faceted Abdib 5 is a bold, normal width, monoline, upright, normal x-height, monospaced font visually similar to 'Brave Brigade' by Invasi Studio, 'British Vehicle JNL' by Jeff Levine, 'Realtime' and 'Realtime Rounded' by Juri Zaech, and 'Charles Wright' by K-Type (names referenced only for comparison).

Keywords: headlines, posters, signage, logotypes, game ui, industrial, retro tech, utilitarian, arcade, mechanical, impact, utility, technical tone, retro styling, geometric cohesion, octagonal, chamfered, blocky, angular, stencil-like.


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A chunky, geometric sans built from straight strokes and clipped corners, with curves consistently replaced by beveled, multi-faceted joins. The letterforms are compact and square-shouldered, producing a tight, grid-like texture with even rhythm and strong verticals. Counters tend toward octagonal/rectilinear shapes, and terminals are cleanly cut rather than rounded, giving the design a hard-edged, engineered feel. The overall silhouette reads as robust and highly uniform, emphasizing crisp edges and solid, high-contrast shapes on the page.

Best suited to display roles where its angular silhouette can read at a glance—headlines, poster titles, branding marks, and bold labels. It also fits interface-style graphics such as game UI, dashboards, or packaging callouts where a technical, hard-edged tone is desirable.

The faceted construction and squared proportions evoke industrial labeling, retro computing, and arcade-era display typography. It feels pragmatic and tough, with a slightly game-like edge that suggests machinery, signage, and technical interfaces rather than softness or elegance.

The design appears intended to deliver a sturdy, machine-made voice by translating traditional sans forms into planar, chamfered geometry. Its uniform construction prioritizes legibility and impact while maintaining a distinctive faceted signature across the full alphanumeric set.

The consistent corner chamfers create a distinctive “cut metal” motif across both uppercase and lowercase, keeping the texture steady in continuous text. Numerals follow the same angular logic, reinforcing the set’s cohesive, modular character.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸