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Free for Commercial Use

Sans Normal Nyber 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Sea' by Luke Thompson, 'Gilroy' by Radomir Tinkov, and 'Hartwell' by W Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, kids media, playful, chunky, friendly, retro, bouncy, display impact, friendly tone, retro character, brand voice, poster readability, rounded, soft corners, quirky, compact, heavy.


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A chunky, rounded sans with heavy strokes and compact internal spaces. Letterforms lean on circular bowls and broad curves, but are punctuated by subtly flattened terminals and occasional angular notches that give the shapes a cut-paper feel. Counters are small and sturdy, joins are thick, and curves stay smooth rather than faceted, producing a dense, high-impact texture in text. Overall rhythm is slightly irregular in a deliberate way, with a mix of roundness and small geometric cuts that keeps the silhouette lively.

Best used for headlines and short bursts of text where its bold silhouettes can do the work—posters, logos, packaging, and social graphics. It also fits playful or youth-oriented branding and editorial display applications where a friendly, chunky tone is desired.

The font reads cheerful and approachable, with a toy-like robustness that feels energetic rather than formal. Its rounded massing and quirky cuts evoke a retro display sensibility—bold, friendly, and attention-seeking—well suited to informal, expressive messaging.

Likely designed as a high-impact display sans that combines rounded geometry with small deliberate cuts to create a distinctive, playful voice. The goal appears to be strong legibility at large sizes while emphasizing characterful silhouettes over neutral text setting.

In the grid, several glyphs show distinctive cut-ins and flattened edges (notably in diagonals and some curves), which creates strong silhouettes at large sizes. Numerals are wide and heavy with simple, graphic forms, matching the uppercase’s blocky presence. At smaller sizes, the tight counters and dense weight may reduce clarity, but the overall word shape remains strong.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸