Sans Superellipse Yeba 3 is a very bold, very wide, high contrast, italic, normal x-height font visually similar to 'EF Serpentine Serif' and 'Serpentine EF' by Elsner+Flake, 'Serpentine' and 'Serpentine Sans' by Image Club, and 'Serpentine' by Linotype (names referenced only for comparison).
Keywords: sports branding, racing graphics, posters, headlines, esports titles, sporty, energetic, technical, aggressive, futuristic, impact, speed, branding, display, athletics, oblique, extended, rounded, blocky, compact counters.
A heavy, slanted sans with extended proportions and a compact, engineered footprint. Curves resolve into rounded-rectangle/superelliptical shapes, giving bowls and counters a squared-off softness rather than true circles. Stroke endings are clean and mostly flat with occasional angled terminals, and the overall drawing is tight with small apertures and robust joins. Numerals and capitals read especially block-like, while lowercase forms keep the same muscular, condensed-in-the-counters construction for a uniform, logo-ready rhythm.
Best suited for display typography where impact and motion are priorities: sports identities, race-team graphics, esports/event titles, fitness apparel, and bold promotional posters. It can also work for short UI labels or product marks when a fast, technical feel is desired, but is most effective in larger settings where the compact counters stay readable.
The font projects speed and force: a forward-leaning, performance-oriented tone that feels at home in racing, athletics, and tech-forward branding. Its squared curves and dense counters add a slightly industrial, tactical edge, making it feel assertive and modern rather than friendly or literary.
The design appears intended to deliver a high-impact, forward-moving headline sans with rounded-rect geometry—combining aerodynamic slant, broad stance, and sturdy letterforms for branding and attention-grabbing display use.
The oblique angle and broad widths create strong horizontal momentum, and the closed shapes (notably in e, a, s, and 8) reinforce a sturdy, impact-first voice. At smaller sizes the tight apertures may reduce internal clarity, while at display sizes the geometric consistency and punchy silhouettes become a strength.