Sans Faceted Etvu 10 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Commuters Sans' and 'Gomme Sans' by Dharma Type, 'Sweet Square' and 'Sweet Square Pro' by Sweet, and 'NeoGram' by The Northern Block (names referenced only for comparison).
Keywords: headlines, branding, posters, sportswear, gaming, techno, futuristic, sporty, assertive, angular, speed, precision, tech tone, impact, systematic, faceted, chamfered, octagonal, geometric, extended.
A slanted geometric sans built from straight strokes and crisp chamfered corners, with curves consistently replaced by planar facets. The forms feel extended and roomy, with broad counters and an open, forward-leaning stance. Stroke weight is steady and solid, and terminals are cleanly cut, creating a hard-edged rhythm across both uppercase and lowercase. Numerals echo the same octagonal construction, reinforcing a unified, engineered texture in text.
This font is best suited to short, prominent settings where its faceted construction can be appreciated—headlines, logos, packaging, posters, and high-impact UI moments. It also fits sports, automotive, gaming, and tech-themed graphics that benefit from a sharp, engineered look. For dense paragraphs, its strong angles and continuous slant will be more effective when given generous sizing and spacing.
The overall tone is modern and mechanical, evoking speed, precision, and a slightly sci‑fi edge. Its angular construction reads as purposeful and performance-oriented rather than friendly or casual, making it feel at home in contemporary, tech-adjacent aesthetics.
The design appears intended to translate an industrial, polygonal form language into an italicized sans, prioritizing a fast, technical impression and clear geometric consistency. The repeated chamfers and octagonal curves suggest a deliberate system meant to feel machined and contemporary across letters and numbers.
In longer lines the consistent slant and faceted joins produce a distinctive, energetic pattern; the angular “O/Q” shapes and segmented curves are especially characteristic. The lowercase maintains the same geometric logic as the caps, helping the style remain consistent across mixed-case settings.