Sans Superellipse Abdad 3 is a regular weight, wide, low contrast, upright, tall x-height font visually similar to 'Digital Sans Now' by Elsner+Flake, 'Mercurial' by Grype, and 'Glint' by Pesic (names referenced only for comparison).
Keywords: ui, branding, signage, headlines, packaging, tech, futuristic, clean, confident, geometric, geometric clarity, ui utility, modern branding, systematic feel, superelliptic, rounded corners, squarish rounds, monoline, open apertures.
A monoline sans built from rounded-rectangle and superellipse geometry, combining squarish counters with softened corners. Curves tend to flatten at the extremes, producing broad, stable bowls and a distinctly rectilinear rhythm in letters like C, G, O, and S. Terminals are mostly horizontal or vertical with minimal modulation, and joins stay crisp while remaining rounded. Proportions read generously spaced and sturdy, with clean apertures and simplified constructions that keep forms legible at display and UI-like sizes.
Well-suited for interface typography, dashboards, and wayfinding where clear silhouettes and stable geometry help quick recognition. It also works effectively in short-to-medium headline settings for technology, automotive, hardware, or modern lifestyle branding. The sturdy, rounded-square construction can carry logos, product names, and packaging copy where a contemporary, engineered feel is desired.
The overall tone feels modern and technical, with a streamlined, engineered clarity. Its rounded-square forms suggest contemporary interfaces, industrial labeling, and a mildly futuristic voice without becoming decorative. The result is friendly enough for product branding while still reading as precise and controlled.
The design appears intended to translate superelliptic, rounded-rectangle geometry into a practical sans for modern communication. By keeping strokes even and corners consistently softened, it aims for a balance of friendliness and precision, delivering a distinctive tech-forward voice while preserving readability in everyday layouts.
Numerals and punctuation echo the same rounded-rectilinear logic, giving mixed-case text a consistent, system-like cohesion. Diagonals in letters such as A, K, V, W, and X are clean and angular, contrasting nicely with the superelliptic rounds. The set maintains a consistent stroke presence and clear silhouettes, emphasizing recognizability over calligraphic nuance.