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Free for Commercial Use

Distressed Kemo 1 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Neusa Neu' by Inhouse Type, 'Neue Helvetica' by Linotype, 'Aago' by Positype, 'Nimbus Sans Novus' by URW Type Foundry, 'Body' by Zetafonts, and 'Artico' by cretype (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, apparel, punchy, playful, vintage, rugged, energetic, display impact, handmade feel, vintage grit, motion emphasis, signage look, brushy, textured, slanted, chunky, organic.


Free for commercial use
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A heavy, right-slanted display face with broad, brush-like strokes and softly irregular contours. Letterforms are compact and chunky with rounded corners, uneven terminals, and occasional notches that suggest rough inking or worn printing. Counters are relatively small and apertures tend to be tightened, giving the set a dense, poster-like rhythm, while the overall spacing and widths vary enough to feel hand-made rather than strictly geometric.

Works best for large-format applications where the rough edges can be appreciated: posters, event graphics, brand marks, packaging fronts, and apparel or sticker designs. It can also add character to short subheads or pull quotes, but is less suited to long text or small UI sizes where the dense shapes and texture may close in.

The font conveys a lively, rough-and-ready attitude—confident and a bit mischievous—like hand-painted signage or a well-worn print. Its texture and slant add momentum and personality, making text feel energetic and informal rather than refined.

Designed to deliver bold impact with a hand-crafted, slightly weathered flavor. The combination of strong massing, italic drive, and consistent distressing suggests an intention to evoke vintage/handmade print energy while remaining straightforward and legible as a display face.

The distressed edge behavior is consistent across caps, lowercase, and numerals, creating a cohesive “ink drag” texture that stays readable at larger sizes. The italic posture is pronounced enough to create forward motion without turning into script, keeping a blocky, impactful silhouette.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸