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Free for Commercial Use

Distressed Keno 1 is a very bold, narrow, medium contrast, italic, tall x-height font visually similar to 'Amsi Grotesk' and 'Goudar HL' by Stawix, 'Calps' by Typesketchbook, and 'Malachite' by Umka Type (names referenced only for comparison).

Keywords: posters, headlines, album art, event flyers, streetwear, gritty, playful, handmade, rowdy, retro, add texture, signal diy, increase impact, convey motion, create grit, rough edges, blobby, soft corners, brushy, inked.


Free for commercial use
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A heavy, right-leaning display face with compact proportions and a strongly tactile silhouette. Strokes are thick and rounded, with irregular, mottled edges that suggest dry brush or ink pressed into porous paper. Counters are small and often uneven, giving letters a slightly swollen, blobby feel while still keeping recognizable shapes. Spacing appears tight and the rhythm is bouncy, with subtly inconsistent widths and stroke endings that add to the handmade impression.

Best suited to short, high-impact settings such as posters, large headlines, packaging callouts, and promotional graphics where texture is an asset. It can work well for music, nightlife, and youth-oriented branding, or anywhere a gritty handmade tone is desired; for extended reading, larger sizes and generous leading help preserve clarity.

The texture and slanted stance give the font a loud, energetic attitude—more mischievous than serious. Its worn, inky outline reads as rebellious and DIY, evoking zines, garage posters, and rough-screened merch. Overall it feels casual and expressive, with a deliberately imperfect charm.

The design appears intended to deliver maximum presence with a deliberately rough, ink-worn finish, simulating imperfect printing or brush lettering. Its compact, slanted forms aim to add motion and attitude while keeping letterforms bold and immediately attention-grabbing.

The rough perimeter is consistent across caps, lowercase, and numerals, creating a cohesive distressed texture at both letter and word level. The forms favor rounded terminals and simplified construction, prioritizing impact over refinement; in longer lines the texture becomes a prominent visual pattern.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸