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Free for Commercial Use

Sans Superellipse Tamij 6 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Fairweather' by Dharma Type, 'CF Blast Gothic' by Fonts.GR, 'Frontage Condensed' by Juri Zaech, and 'Cargi' by Studio Principle Type (names referenced only for comparison).

Keywords: posters, headlines, packaging, branding, labels, industrial, retro, stamped, playful, rugged, space saving, high impact, vintage print, tactile texture, headline display, condensed, rounded, soft corners, chunky, compact.


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A condensed sans with heavy, compact strokes and rounded-rectangle construction throughout. Corners are broadly softened and terminals tend to end bluntly, giving letters a sturdy, blocky silhouette. The texture shows subtle roughness and speckling that reads like ink wear or a lightly distressed print, while counters stay relatively tight and vertically oriented. Overall proportions are tall and narrow with an even, upright rhythm that keeps lines dense and punchy.

Best suited to headlines and short, high-impact settings such as posters, packaging, labels, and logo-style wordmarks where dense width and strong shapes help maximize presence. It can also work for signage or apparel graphics when a rugged, printed aesthetic is desired, but the distressed texture makes it less ideal for extended body text or small UI sizes.

The font conveys a bold, utilitarian character with a vintage, printed feel. Its soft corners keep it approachable, while the distressed texture adds grit and a handmade, stamped tone. The result feels energetic and slightly nostalgic rather than sleek or clinical.

The design appears intended to deliver maximum punch in a narrow footprint while retaining friendly rounded geometry. The added wear texture suggests a deliberate nod to stamped or screen-printed ephemera, aiming for a bold display voice with a tactile, lived-in finish.

In the samples, uppercase forms dominate the voice, with lowercase maintaining the same condensed, rounded-block logic for consistent color. The numerals follow the same sturdy shapes and appear optimized for impact over fine differentiation at very small sizes. The distressing is consistent enough to feel intentional, but it will increase visual noise in long passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸