Sans Superellipse Ornoh 1 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Cantiga' by Isaco Type and 'CamingoDos Condensed' and 'CamingoDos SemiCondensed' by Jan Fromm (names referenced only for comparison).
Keywords: ui text, web content, product branding, signage, editorial, modern, neutral, clean, technical, corporate, legibility, system design, neutral utility, modernization, clarity, rounded, soft corners, geometric, even rhythm, low modulation.
This typeface is a contemporary sans with a geometric, superellipse-driven construction. Strokes are largely uniform with subtle modulation, and terminals are cleanly cut, giving a crisp, engineered look. Curved letters lean toward rounded-rectangle bowls rather than true circles, and corners stay softly rounded across forms, producing consistent texture in text. Apertures and counters are open and stable, while the overall spacing and proportions create an even, predictable rhythm in both uppercase and lowercase.
It suits interface and product contexts where clarity and consistency matter, including app and web UI, dashboards, and technical documentation. The steady rhythm and open shapes also work well for general editorial use, presentations, and wayfinding where a clean, contemporary sans is desired.
The overall tone is modern and pragmatic, with a calm neutrality that reads as professional and system-like. Rounded geometry softens the voice slightly, keeping it approachable without becoming playful or informal.
The design appears intended as a versatile, general-purpose sans that balances geometric structure with softened corners for comfortable reading. Its controlled shapes and consistent detailing suggest a focus on legibility and a cohesive, modern visual system across letters and numerals.
Uppercase forms appear sturdy and straightforward, while lowercase maintains simple, single-storey constructions in several letters (notably a and g), reinforcing a geometric, utilitarian character. Numerals are clear and evenly proportioned, matching the letterforms’ squared-round curves and consistent stroke behavior.