Sans Superellipse Orles 4 is a bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'PODIUM Sharp' by Machalski, 'Navine' by OneSevenPointFive, 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, and 'From the Internet' by Typodermic (names referenced only for comparison).
Keywords: ui labels, app screens, product branding, wayfinding, posters, modern, confident, clean, friendly, technical, clarity, modernization, system coherence, brand impact, screen use, geometric, compact, blocky, rounded corners, high legibility.
A geometric sans with squared, superellipse-like curves and consistently rounded corners. Strokes are sturdy and even, with compact apertures and a largely closed, efficient construction that keeps counters relatively tight. The capitals feel tall and disciplined, while the lowercase shows a high x-height and simplified forms; the single-storey a and g contribute to a straightforward, contemporary rhythm. Numerals and punctuation match the same squared-round geometry, giving the set a cohesive, engineered texture in text.
This font works well for UI labels, navigation, and dashboard-style typography thanks to its high x-height and compact, consistent geometry. It also suits product branding, packaging, and bold editorial headings where a modern, engineered feel is desired. In longer passages it will produce a strong typographic color, making it particularly effective for short blocks, captions, and punchy statements.
The overall tone is modern and assertive without becoming harsh, balancing firmness with a slightly friendly softness from the rounded corners. It reads as practical and contemporary—well-suited to interfaces and product communication where clarity and confidence matter. The uniform geometry gives it a technical, system-like calm.
The design appears intended to deliver a robust, modern sans with superellipse-driven forms that stay crisp and consistent across sizes. It prioritizes clear silhouettes and a unified geometric system, aiming for a practical, contemporary voice that performs in both interface contexts and brand-forward display use.
Round characters (O, C, G, Q, 0) lean toward rounded-rectangle silhouettes rather than true circles, which creates a compact, space-efficient color. In the sample text, the dense shapes and tight openings produce a strong, dark typographic presence, especially in all-caps and short headlines.