Slab Square Sime 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Geometric Slabserif 703' by Bitstream, 'Goodall' by Colophon Foundry, 'Breton' by Latinotype, 'Memphis' and 'Memphis Soft Rounded' by Linotype, 'Paralex' by Tipo Pèpel, and 'Gallatin Bold' by Wooden Type Fonts (names referenced only for comparison).
Keywords: headlines, posters, editorial, packaging, signage, sturdy, confident, retro, impact, readability, heritage, utility, bracketed serifs, blocky, ink-trap feel, compact, high impact.
A heavy serif face with prominent slab-like feet and flat-ended terminals, combining broad, rounded bowls with squared-off joins for a solid, compact texture. Strokes are low-contrast and largely monoline in feel, with crisp horizontal serifs and short, forceful arms that keep counters open while maintaining density. The lowercase shows a robust, workmanlike structure with a single-storey “g” and strong vertical stress, while capitals read wide and stable, built from simple geometric strokes and generous curves. Numerals match the weight and stance, with clear, emphatic forms designed to hold up at display sizes.
This font is well suited to headlines, deck copy, and short editorial passages where a strong typographic anchor is needed. It will also perform well in posters, branding lockups, packaging, and signage that benefit from sturdy slab serifs and high visual presence.
The overall tone is assertive and dependable, with a classic editorial presence that nods to traditional print without feeling delicate. Its blocky slabs and compact rhythm give it a no-nonsense, authoritative voice suited to headlines that need to feel grounded and confident.
The design appears intended to deliver a durable, print-forward slab serif look with maximum legibility and impact, emphasizing strong serifs, compact proportions, and a consistent, workhorse rhythm for display and editorial applications.
At text sizes the weight creates a dark, even color, while at larger sizes the sharp slab details and squared terminals become a defining stylistic feature. The forms balance rounded interior spaces against rectilinear serif structures, producing a practical, slightly vintage character.