Sans Faceted Etwa 6 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Sweet Sans', 'Sweet Sans Pro', 'Sweet Square', and 'Sweet Square Pro' by Sweet (names referenced only for comparison).
Keywords: headlines, sports branding, tech ui, posters, signage, futuristic, technical, sporty, racing, tactical, speed cue, tech aesthetic, industrial tone, display impact, angular, chamfered, faceted, slanted, squared.
A slanted, angular sans with faceted construction: curves are consistently replaced by straight segments and chamfered corners, creating a crisp, planar rhythm across rounds like O, C, and G. Strokes are uniform and monolinear, with squared terminals and a slightly condensed-in-motion feel despite generous horizontal proportions. Counters tend toward squarish and clipped shapes, and diagonals (A, K, V, W, Y) are clean and assertive, reinforcing a mechanical, engineered texture in text.
Best suited to titles, branding, and short bursts of copy where the angular faceting can be appreciated—such as esports/sports identities, automotive or cycling graphics, tech product pages, UI overlays, posters, and directional or safety-style signage. For long-form reading, it will likely be most effective when used sparingly as an accent face paired with a quieter text companion.
The overall tone feels fast and purposeful, evoking motorsport graphics, sci‑fi interfaces, and industrial labeling. Its sharp facets and forward slant suggest motion, precision, and a modern, performance-oriented attitude.
The design appears intended to translate a geometric, machined aesthetic into an italic sans, maintaining consistent chamfers and planar joins to deliver a cohesive, high-energy look. Its construction prioritizes a bold silhouette and quick recognition over softness, aiming for a contemporary, engineered voice.
Uppercase forms read especially sturdy due to flat-sided bowls and clipped joins, while numerals echo the same octagonal logic for a consistent display set. The italic angle is strong enough to be expressive in headlines, and the faceting remains clear at larger sizes where the corner work becomes a defining feature.