Sans Superellipse Orbuh 7 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Qonora' by Charles Casimiro Design; 'Moveo Sans' by Green Type; 'Aeonis' by Linotype; 'Belle Sans' by Park Street Studio; 'Rabelo' by Pedro Teixeira; and 'Bitner', 'Juhl', and 'Kobern' by The Northern Block (names referenced only for comparison).
Keywords: ui labels, app branding, packaging, posters, signage, confident, clean, friendly, modern, pragmatic, clarity, modernization, approachability, space efficiency, system branding, rounded, geometric, soft corners, compact, high legibility.
A compact geometric sans with rounded-rectangle (superellipse-like) curves and consistently softened corners across rounds and joins. Strokes are sturdy and even, with tight apertures and a disciplined rhythm that keeps counters relatively small and shapes stable. Uppercase forms read broad and efficient, while lowercase shows a single-storey “a” and “g” with smooth, simplified construction; terminals are mostly blunt and gently rounded rather than sharp. Numerals follow the same compact, utilitarian geometry, with clear separation and sturdy verticals.
Well-suited to interface typography, product labels, and wayfinding where a compact, high-impact sans is needed. It also performs well for headlines and short blocks of copy in posters or branding systems, especially when a modern but approachable tone is desired.
The overall tone is direct and dependable, with a friendly softness coming from the rounded geometry. It feels contemporary and workmanlike rather than expressive, projecting clarity, efficiency, and approachability.
Likely designed to deliver a contemporary geometric voice with softened superellipse forms for warmth, while keeping proportions compact and sturdy for strong readability and consistent texture across letters and numbers.
Spacing appears designed to stay controlled in dense settings; the compact bowls and closed apertures help maintain an even color at larger sizes, while the rounded corners reduce harshness in headlines. The “t” has a distinctive, solid crossbar/shoulder treatment that adds a slightly technical, engineered flavor without becoming quirky.