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Free for Commercial Use

Sans Contrasted Jala 2 is a very bold, very wide, very high contrast, upright, normal x-height font.

Keywords: headlines, posters, branding, logotypes, packaging, poster, retro, dramatic, playful, assertive, attention grabbing, distinctive voice, retro display, logo friendly, expressive contrast, flared terminals, ink-trap feel, sheared joins, teardrop forms, display.


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A heavy, expansive sans with pronounced stroke contrast and a sculpted, calligraphic logic. Many strokes end in sharp, wedge-like flares, while curves often pinch into tapered joins, creating an ink-trap-like bite at intersections. Counters are generally open but can become asymmetrical due to the tapered modeling, and several glyphs show teardrop or blade-shaped inner spaces. The overall rhythm is punchy and irregular in a deliberate way, with prominent diagonals, brisk terminals, and a mix of rounded and chiseled geometry that reads strongly at large sizes.

Best suited to display roles where its sculpted contrast and wide stance can be appreciated—headlines, posters, packaging, and branding wordmarks. It can work for short bursts of copy or pull quotes when set with generous tracking and leading, but it is most convincing when used for big, graphic typography rather than dense body text.

The font projects a bold, theatrical tone with a slightly retro, headline-oriented energy. Its sharp flares and high-contrast modulation give it a dramatic, attention-seeking voice, while the quirky joins and asymmetric details add a playful edge rather than a purely corporate feel.

The design appears intended to merge a sans foundation with a stylized, chiseled contrast model, producing a distinctive display face that feels energetic and custom. Its exaggerated terminals and tapered joins prioritize personality and visual punch, aiming for memorable titles and branding applications.

In text settings the distinctive joins and flared terminals create a lively texture that can look busy at smaller sizes, especially where letters cluster (for example in sequences with s, g, and y). The numeral set follows the same sculpted contrast, with eye-catching curves and pronounced tapering that favors impact over neutrality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸