Sans Faceted Tyda 3 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Impara' by Hoftype, 'MVB Solitaire Pro' by MVB, 'Accia Sans' by Mint Type, and 'PF Adamant Sans Pro' by Parachute (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, industrial, geometric, techy, assertive, utilitarian, geometric twist, industrial tone, display impact, technical voice, faceted, angular, planar, blocky, crisp.
A heavy, geometric sans with curves consistently translated into sharp planar facets, producing octagonal bowls and clipped terminals. Strokes are low-contrast and largely monolinear, with sturdy verticals and broad, stable horizontals that read strongly at display sizes. Counters are fairly open for the weight, and joins tend toward crisp, mechanical intersections rather than softened transitions. The lowercase follows a straightforward, double-storey-less construction with compact, functional shapes, while figures are similarly blocky and faceted for a uniform, engineered rhythm.
Best suited to headlines, branding, packaging, and signage where the faceted geometry can be read as a deliberate design feature. It can also work for UI labels, product names, and tech or industrial-themed graphics when used with comfortable tracking and line spacing.
The overall tone is modern and utilitarian, with a machined, industrial flavor created by the repeated chamfers and straight-edged curvature. It feels confident and no-nonsense—more technical than friendly—suggesting ruggedness and precision rather than delicacy.
The design appears intended to merge a neutral sans foundation with an engineered, chamfered aesthetic—replacing smooth curves with controlled facets to evoke precision, durability, and a contemporary technical voice.
The faceting is applied consistently across round characters (such as C, G, O, Q, and 0), giving the font a distinctive signature without relying on ornament. The bold weight and clipped geometry create strong word shapes in short bursts, though dense text can feel visually busy due to the many angled breaks along curves.