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Free for Commercial Use

Inverted Mido 2 is a very bold, very narrow, very high contrast, upright, tall x-height font.

Keywords: posters, headlines, album covers, packaging, zines, industrial, punk, editorial, cut-out, grunge, maximum impact, diy texture, poster display, stencil cutout, condensed, stencil-like, blocky, distressed, collage.


Free for commercial use
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This design uses tall, condensed letterforms built from solid rectangular outer shapes with carved-out inner counters, creating a strong cut-out silhouette. Strokes are largely straight and geometric with occasional slight waviness and irregular edges that read as intentional distressing. Counters are narrow and simplified, and many glyphs sit within a consistent vertical, poster-like frame, producing a tight, rhythmic texture in lines of text. The overall construction emphasizes sharp corners, high verticality, and bold negative-space cutouts that define the letters.

Best suited for display use where its bold, cut-out construction can be appreciated—posters, editorial headlines, album/film titles, event flyers, and statement packaging. It can also work for short labels or UI badges when a loud, industrial note is desired, but the dense counters suggest keeping continuous reading passages brief.

The font conveys a rough, assertive tone—like handmade signage, ransom-note collage, or underground poster typography. Its inverted cut-out look feels gritty and mechanical at once, giving headlines a confrontational, DIY energy with an editorial edge.

The letterforms appear designed to maximize impact through compressed proportions and a punched-out, inverted fill strategy, pairing rigid rectangular geometry with deliberately roughened edges. The intent reads as creating a high-contrast, screen-print or cut-stencil aesthetic optimized for attention-grabbing display typography.

In text settings, the dense vertical frames and narrow counters make word shapes highly graphic, with alternating black blocks and punched-out interiors creating a strong light/dark pattern. The slight inconsistency in edge quality adds a tactile, printed or cut-paper feel that becomes more noticeable at larger sizes.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸