Sans Other Remuz 11 is a bold, very narrow, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, titling, industrial, authoritative, dystopian, technical, retro, impact, compression, edge, structure, display, angular, condensed, geometric, rectilinear, sharp terminals.
The letterforms are tall and compressed, built from straight strokes with angular joins and crisp, knife-like terminals. Curves are minimized and often squared-off, giving rounds (like O and 0) a faceted, rectangular feel. The stroke weight stays largely even, with compact counters and narrow apertures that emphasize a strong vertical texture. Several characters feature wedge-like cuts and stepped angles that add a stylized, constructed look without becoming ornamental.
Best suited to display settings where a compact, high-impact tone is desired: posters, titles, packaging, and branding that leans industrial or futuristic. It can also work for sports or event graphics, album/film titling, and UI moments like badges or labels where space is limited. For long paragraphs or small sizes, the tight apertures and dense texture may call for generous sizing and spacing to preserve clarity.
This typeface projects a severe, engineered attitude with a slightly retro-industrial edge. Its tight, vertical rhythm and sharp terminals create a sense of urgency and authority that can feel technical, dystopian, or poster-like depending on context. The overall mood is assertive and graphic rather than friendly or conversational.
The design appears intended to maximize impact in tight horizontal space while maintaining a rigid, constructed personality. By leaning on rectilinear geometry and sharp cuts, it aims for a distinctive, machine-made voice that stands apart from neutral grotesks. The consistent vertical emphasis suggests it was drawn to hold together as a strong texture in headlines and short statements.
The numerals follow the same squared, condensed construction, keeping a uniform color across mixed alphanumeric text. Diagonal strokes appear as sharp, chiseled segments rather than smooth transitions, reinforcing the font’s hard-edged, built-from-parts character.