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Free for Commercial Use

Stencil Imdu 5 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Biennale' by Latinotype, 'Gilroy' by Radomir Tinkov, 'Rotunda' by TipoType, 'Gogh' by Type Forward, and 'Glot Round' by Wordshape (names referenced only for comparison).

Keywords: posters, headlines, branding, apparel, signage, industrial, military, athletic, punchy, retro, impact, stenciling, ruggedness, speed, labeling, slanted, blocky, mechanical, high-impact, angular.


Free for commercial use
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A heavy, slanted display face built from compact, blocklike forms and crisp stencil breaks. Strokes are monolinear and dense, with broad counters and a slightly condensed internal rhythm created by strategic cutouts through bowls, joins, and terminals. The stencil bridges are consistent and often appear as diagonal or vertical notches, giving letters a segmented, engineered feel while preserving clear silhouettes. Corners tend toward sharp geometry with occasional softened joins in rounded letters, producing a strong, poster-ready texture across lines of text.

Best suited to large sizes where the stencil breaks can be appreciated and the heavy shapes deliver maximum impact. It works well for posters, event and sports headlines, bold brand marks, merch/apparel graphics, and signage that benefits from an industrial or tactical voice. For longer passages, it’s most effective in short bursts such as pull quotes, labels, or section headers.

The overall tone is assertive and utilitarian, evoking industrial labeling, equipment markings, and high-energy sports graphics. Its slant and weight add forward motion and urgency, while the stencil construction suggests ruggedness and practicality. The look reads as bold and attention-grabbing rather than delicate or refined.

The design appears intended to merge a forceful, slanted display structure with unmistakable stencil functionality, creating a rugged type voice that feels fast, tough, and production-minded. The consistent bridging and simplified, high-mass forms prioritize instant recognition and a strong graphic footprint in branding and display contexts.

Spacing and letterforms create a dark, continuous typographic color, with the stencil gaps providing rhythmic highlights that prevent the text from becoming a solid mass. Rounded characters like O/Q and numerals show central bridging that reinforces the cut-stencil motif, and diagonals in letters such as A, V, W, and X emphasize speed and angularity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸