Serif Normal Maky 2 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Acreva' by Andfonts, 'Kresson Black' by BA Graphics, 'Velino Condensed Text' and 'Ysobel' by Monotype, 'Selina' by ParaType, 'Gart Serif' by Vitaliy Gotsanyuk, and 'Evans' by Zetafonts (names referenced only for comparison).
Keywords: headlines, editorial, book covers, packaging, certificates, traditional, authoritative, formal, bookish, classic voice, strong presence, print feel, warm formality, bracketed, ball terminals, oldstyle numerals, sturdy, calligraphic.
A robust serif with pronounced stroke contrast and generously bracketed serifs. Curves are full and slightly calligraphic, with rounded joins and subtle swelling that gives the letterforms a weighty, sculpted feel. Counters are relatively compact for the weight, and terminals often finish with soft, ball-like endings (notably on lowercase such as a, c, f, and y), adding warmth to an otherwise formal structure. The numerals read as oldstyle figures, with varying heights and descenders that align visually with the lowercase rhythm.
This font is well suited to headlines and short-to-medium text where a classic serif voice is desired, such as magazines, book covers, and publisher branding. Its strong color and compact counters also lend themselves to packaging and formal materials like programs or certificates, particularly at sizes where the serifs and contrast can clearly render.
The overall tone is classic and authoritative, evoking printed editorial and book typography. Its heavy presence and traditional detailing feel confident and slightly old-world, suitable for serious or institutional messaging while still retaining a touch of warmth from its rounded terminals.
The design appears intended to deliver a conventional, trustworthy serif feel with added warmth and personality through bracketed serifs and rounded terminals. It prioritizes a dense, confident typographic color appropriate for print-like settings and display use, while keeping the underlying construction familiar and readable.
The face maintains a consistent vertical stress and a steady, compact texture in paragraph setting, with strong word-shape cues from ascenders/descenders and oldstyle numerals. Uppercase forms are sturdy and stately, and the lowercase carries much of the personality through rounded terminals and a slightly irregular, humanist modulation.