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Serif Other Teha 1 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'Bellfort' by GRIN3 (Nowak); 'Privilege Sign JNL' by Jeff Levine; 'Frontage Condensed' by Juri Zaech; and 'Angmar', 'Delonie', and 'Headpen' by Umka Type (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, signage, poster, vintage, circus, western, authoritative, space-saving, headline impact, retro flavor, decorative detail, signage clarity, condensed, high-impact, wedge serif, bracketed, ink-trap.


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A tightly condensed, heavy serif with pronounced verticality and compact counters. The serifs read as wedge-like and subtly bracketed, with occasional notched/ink-trap-like cut-ins where stems meet joins, giving the letters a carved, stamped feel. Curves are firm and controlled rather than flowing, and terminals tend to finish with crisp, squared-off edges. The overall rhythm is tall, dense, and highly uniform, producing strong texture in lines of text.

Best suited to headlines and short display settings where density and impact matter: posters, storefront/signage, packaging, mastheads, and logo wordmarks. It can also work for pull quotes or section headers when you want a strong vintage voice, but its tight counters and condensed build make it less ideal for extended body copy at small sizes.

The font conveys a bold, old-fashioned display energy—part circus poster, part wood-type headline—with a confident, commanding presence. Its tight fit and sharp details add drama and urgency, lending a slightly theatrical, retro tone.

The design appears intended to deliver maximum presence in minimal horizontal space, combining a condensed silhouette with decorative wedge serifs and carved junction details. It aims for a period-inflected, attention-grabbing look reminiscent of historic display type used for advertising and signage.

Uppercase forms emphasize straight-sided geometry and compact apertures, while lowercase maintains the same compressed footprint for consistent color. Numerals are robust and straightforward, matching the headline-first intent. The distinctive notches and wedge serifs become more prominent as size increases, where they read as deliberate decorative detailing rather than purely functional shaping.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸