Pixel Other Nohy 9 is a regular weight, narrow, medium contrast, italic, normal x-height font.
Keywords: ui display, dashboards, clocks, sci-fi titles, tech posters, digital, technical, retro, futuristic, mechanical, segment mimicry, digital aesthetic, retro-tech, instrumental clarity, segmented, angular, faceted, octagonal, modular.
A modular, segmented display design built from straight strokes with clipped, chamfered ends, creating an octagonal, LED-like silhouette. Forms are slightly slanted, with consistent segment thickness and deliberate breaks at joins that mimic discrete display elements rather than continuous pen strokes. Curves are implied through stepped or faceted segments, and terminals resolve into crisp angles, giving the alphabet a precise, engineered rhythm. Uppercase and lowercase share the same construction logic, with simplified bowls and diagonals that read as assembled parts.
Well suited for interface mockups, HUD-style graphics, dashboards, clocks/timers, and any setting that benefits from a segmented-display voice. It also works effectively for short headings, posters, album art, and title treatments where the techno character is more important than long-form readability.
The font communicates a digital, instrument-panel feel with a retro-electronic edge. Its segmented construction evokes calculators, clocks, and control interfaces, lending a techno-futurist tone that feels orderly, mechanical, and slightly sci‑fi.
The design appears intended to translate segment-display logic into a full alphabet, preserving the visual cues of discrete illuminated modules while remaining usable for headline text. The slight slant and faceted geometry add motion and sharpness, reinforcing a contemporary digital aesthetic rooted in classic electronic displays.
Legibility is strongest at larger sizes where the intentional gaps and segment joints remain distinct; at smaller sizes the broken connections can visually merge or thin out. Numerals and capitals have particularly clear, display-like identities, while some lowercase shapes lean toward stylized, schematic interpretations.