Pixel Other Nohy 7 is a regular weight, narrow, medium contrast, italic, normal x-height font.
Keywords: digital displays, sci-fi ui, scoreboards, posters, headlines, digital, technical, retro, utilitarian, mechanical, display mimicry, tech styling, retro futurism, grid discipline, faceted, segmented, angular, beveled, modular.
A segmented, modular design built from straight strokes with diagonal chamfered terminals, creating a faceted, seven‑segment-like construction across both uppercase and lowercase. Curves are implied through angled joins, producing polygonal bowls and corners with consistent segment thickness and crisp, hard edges. The texture is rhythmic and slightly condensed, with an oblique slant that reads as italic through the whole set. Lowercase forms echo the uppercase structure, keeping a uniform, engineered feel with occasional open counters and clipped apertures that reinforce the display-like construction.
Best suited to display sizes where the segmented construction can be read clearly—UI mockups, sci‑fi interfaces, digital-clock styling, arcade/scoreboard graphics, and bold headlines on posters or packaging. It can work for short phrases and labels, while long body text may feel visually busy due to the repeated segment breaks.
The font conveys a digital, instrument-panel attitude—functional, technical, and a bit retro. Its segmented geometry suggests electronics, timing, and measurement, giving copy a mechanical, system-driven tone rather than a handwritten or literary one.
The design appears intended to translate the logic of segmented displays into a full alphabet, preserving the modular construction while adding enough detail for recognizable letters in both cases. The italic slant and faceted terminals aim to modernize the readout aesthetic and increase visual energy in headings and interface-like compositions.
The consistent chamfering and discrete stroke segments create a strong grid discipline, but letterforms remain distinct enough to support short text lines. The oblique angle adds motion and urgency, helping the design feel more like active readouts than static signage.