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Sans Superellipse Kefu 11 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Celluloid JNL' by Jeff Levine and 'Kimberley' by Typodermic (names referenced only for comparison).

Keywords: sports branding, esports, headlines, posters, app ui, sporty, futuristic, assertive, energetic, techy, speed, impact, modernity, branding, display, rounded corners, squared bowls, oblique, wide stance, compact joins.


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A very heavy, oblique sans with superelliptical construction: rounds are built from rounded-rectangle bowls and squarish counters rather than true circles. Corners are consistently softened, terminals are blunt, and the stroke weight stays even throughout, producing a dense, high-impact silhouette. Proportions favor a large lowercase presence, with compact apertures and tight interior spaces in letters like a, e, s, and g; the overall rhythm is slightly mechanical, with wide, stable forms (notably m, w) and minimal modulation. Numerals echo the same squared-round geometry, with enclosed shapes that remain clearly legible at display sizes.

Best suited to display roles where impact and momentum matter: sports and esports branding, athletic apparel graphics, automotive or tech-forward campaigns, and punchy headlines. Its dense forms and tight counters favor larger sizes, while short UI labels and buttons can benefit from the strong, engineered presence when space is limited.

The font reads fast, bold, and modern, with a distinctly sporty, tech-forward attitude. Its oblique slant and rounded-square shaping give it a streamlined, engineered feel that suggests speed and performance rather than softness or friendliness.

The design intention appears to be a high-impact, speed-inflected sans that pairs robust weight with rounded-square geometry for a contemporary, performance-oriented voice. It aims for immediate recognizability and a cohesive, constructed look across letters and numbers.

The family’s visual identity is driven by repeated superellipse motifs: squared bowls in O/Q/0 and rounded-rectangle counters in B/D/P/8 create a consistent, industrial coherence. The italic angle is substantial enough to add motion, while the sturdy joins and compact apertures keep the texture solid and poster-ready.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸