Font Hero

Free for Commercial Use

Solid Abri 12 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Festivo Letters' by Ahmet Altun, 'Monotage' by Fargun Studio, 'MVB Diazo' by MVB, 'Troyline' by Sarid Ezra, and 'Merchanto' by Type Juice (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, stickers, playful, chunky, quirky, retro, punchy, high impact, graphic density, playful display, retro novelty, rounded, stubby, compact, blocky, soft corners.


Free for commercial use
Customize the font name

A compact, heavy display face with stout verticals, rounded outer corners, and simplified internal spaces. Many counters are reduced to narrow slits or nearly closed, creating a solid, ink-heavy silhouette with occasional pinched apertures. The rhythm is uneven in a deliberate way: widths vary per letter, terminals are blunt, and diagonals are thick and wedge-like, giving the alphabet a carved, cutout feel. Numerals follow the same chunky construction, with tight bowls and minimal interior detail.

Best suited to short display settings where its dense forms can act as bold shapes—posters, punchy headlines, logo wordmarks, packaging labels, and playful merchandise graphics. It works particularly well when you want a compact, high-impact line that holds together as a solid block of text.

The overall tone is bold and humorous, with a friendly retro flavor that reads more as graphic shape than conventional text. Its near-solid interiors and quirky proportions give it a toy-like, poster-ready presence that feels attention-seeking and a bit eccentric.

The design appears intended to maximize visual weight and graphic presence by compressing counters and emphasizing chunky, rounded geometry. It prioritizes silhouette and attitude over fine internal detail, aiming for a distinctive novelty display voice that stands out immediately.

Legibility hinges on size: at smaller settings, the collapsed counters and tight joins can make letters like a/e/o and similar shapes feel more alike. At larger sizes the distinctive silhouettes and softened corners become the main feature, producing strong impact and clear personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸