Sans Superellipse Madov 10 is a very bold, normal width, monoline, upright, tall x-height font visually similar to 'Outdoor Cafe JNL' by Jeff Levine, 'Midfield' by Kreuk Type Foundry, 'Stallman Round' by Par Défaut, 'Crazy Robot' by Sealoung, and 'Goodland' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, game ui, retro, playful, chunky, arcade, friendly, display impact, retro flavor, friendly geometry, ui readability, branding, rounded, blocky, geometric, soft corners, high contrast.
A heavy, rounded-rectangle sans with monoline strokes and strongly softened corners throughout. The forms are built from compact verticals and broad horizontal bars, creating a squared, superelliptic silhouette with small, rectangular counters. Terminals are consistently blunt and rounded, giving the letterforms a molded, button-like feel. Spacing appears generous for a display face, and the rhythm is steady and blocky, prioritizing bold shapes over delicate internal detail.
Best suited to large sizes where its compact counters and rounded block shapes can read cleanly: headlines, posters, logotypes, packaging, and bold labels. It also fits interface and entertainment contexts such as game UI, title screens, and promotional graphics where a friendly, retro display voice is desirable.
The overall tone is upbeat and nostalgic, evoking arcade UI, toy packaging, and late-20th-century display graphics. Its chunky geometry reads as approachable and humorous rather than formal, with a distinctly “printed plastic” solidity that feels energetic and attention-seeking.
The design intention appears to be a high-impact display sans that merges geometric squareness with softened corners for a friendly, retro-technology feel. It aims for strong silhouette recognition and uniform texture in short texts, prioritizing punchy presence and a cohesive rounded-rectangular system.
Counters and apertures are relatively tight, especially in letters like E, F, S, and numerals, which reinforces the dense, poster-friendly color. The lowercase keeps the same squared construction as the uppercase, helping maintain a consistent texture in mixed-case settings. Numerals match the blocky language closely, with simplified internal shapes that favor impact over fine differentiation.