Sans Superellipse Madod 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Oso Sans' by Adobe, 'Dic Sans' by CAST, 'Neuron' by Corradine Fonts, 'EFCO Growers' by Ilham Herry, 'Allotrope' by Kostic, 'Environ' by MADType, 'Dalle' by Stawix, and 'Obvia Narrow' by Typefolio (names referenced only for comparison).
Keywords: posters, logotypes, headlines, packaging, app titles, playful, chunky, retro, arcade, friendly, display impact, retro tech, geometric clarity, friendly tone, branding, rounded, blocky, geometric, soft-cornered, compact.
A heavy, rounded-rectangle sans with softened corners and largely uniform stroke thickness. Letterforms are constructed from squarish, superellipse-like bowls and counters, producing a compact, blocky silhouette with minimal tapering. Curves are simplified and corners are chamfered/rounded, with counters that often read as small rounded rectangles (notably in A, B, D, O, P, R, and the numerals). Overall spacing and rhythm feel sturdy and even, favoring bold masses and clean, modular geometry over calligraphic nuance.
Best suited for display settings where impact and personality matter: posters, branding marks, packaging, title cards, and short UI/app headings. It performs particularly well at medium-to-large sizes where the rounded counters and cut-corner details stay clear, while long paragraphs may feel dense due to its strong black shape and compact interior spaces.
The font conveys a playful, toy-like confidence with a distinctly retro-tech flavor. Its chunky geometry and softened edges suggest arcade graphics, sticker lettering, and sports/packaging display typography—bold and approachable rather than formal or delicate.
The design appears intended to deliver a bold, geometric display voice built from rounded rectangular primitives—maximizing legibility through simple shapes while adding character via soft corners and compact, inset counters. It aims for a contemporary-retro tone that feels energetic and approachable in branding and headline contexts.
Several glyphs lean into stencil-like interior openings and squared-off terminals, reinforcing the modular feel. The lowercase set mirrors the uppercase’s blocky construction, keeping a consistent voice across cases, and the numerals match the same rounded, cut-corner geometry for cohesive headline use.