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Free for Commercial Use

Sans Superellipse Ennik 3 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Molde' by Letritas, 'PT Filter' by Paavola Type Studio, and 'Ordina' by Schriftlabor (names referenced only for comparison).

Keywords: ui labels, branding, headlines, wayfinding, editorial, modern, technical, dynamic, clean, sporty, geometric clarity, forward motion, contemporary branding, screen readability, rounded corners, oblique slant, squared curves, open counters, streamlined.


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A rounded, oblique sans with a streamlined, squared-off curve vocabulary: bowls and rounded forms read like softened rectangles rather than pure circles. Strokes are monolinear with smoothly radiused joins, producing a calm, consistent texture. Proportions are on the roomy side with broad letterforms and generous interior counters; apertures stay relatively open, supporting clarity at display and text sizes. Terminals are clean and blunt, and the slant is uniform across capitals, lowercase, and figures, giving the face a continuous forward motion.

Works well for product branding, tech and automotive-style identities, posters, and punchy headlines where a forward-leaning, engineered look is desirable. Its open counters and even stroke weight also suit UI labels, dashboards, and short-to-medium editorial text where maintaining clarity in an oblique style matters.

The overall tone is contemporary and agile—clean enough for interface work, but with a kinetic, slightly futuristic feel from the oblique angle and superelliptic rounding. It suggests efficiency and speed rather than warmth or nostalgia, landing in a sporty, tech-adjacent register.

Likely designed to blend the neutrality of a sans with a distinctive superelliptic geometry, using a consistent slant to add energy while keeping forms clean and highly legible. The goal appears to be a modern, efficient voice that stands out without relying on ornament.

Circular characters like O/0 and C show a distinctly squarish curvature, while diagonals (e.g., in A, V, W, X) are crisp and stable, helping the design feel engineered. Numerals follow the same rounded-rectangle logic and maintain a cohesive rhythm with the letters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸