Sans Superellipse Luve 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Judgement' by Device, 'Stallman' and 'Stallman Round' by Par Défaut, and 'Ataribaby' by Test Pilot Collective (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, signage, playful, retro, techy, friendly, chunky, impact, retro futurism, branding, display clarity, rounded, soft corners, geometric, compact, high contrast counters.
This typeface is built from heavy, rounded-rectangle forms with generous corner radii and consistently thick strokes. Bowls and counters tend toward squarish superellipse shapes, producing compact interiors and a solid, blocky color on the line. Terminals are softly blunted, curves are controlled rather than calligraphic, and joins are clean and uniform. The uppercase leans toward wide, modular construction while the lowercase maintains similarly simplified geometry, yielding a cohesive, tightly patterned rhythm in text.
Best suited to display contexts where strong presence and distinctive geometry are desired: headlines, posters, branding marks, packaging, and short UI or signage labels. It can work for short paragraphs in large sizes, but the dense counters and heavy color make it more effective for titles and callouts than long-form reading.
The overall tone is upbeat and approachable, with a distinctly retro-tech flavor reminiscent of arcade, sci‑fi, and toy-like industrial graphics. Its chunky silhouettes and softened corners keep it friendly rather than aggressive, while the squarish curves add a futuristic, engineered feel.
The design appears intended to deliver maximum visual impact through simplified, rounded-rectilinear construction, balancing a futuristic modular feel with friendly softness. It prioritizes recognizability and a strong graphic silhouette, making it well adapted to bold branding and playful, tech-forward display typography.
Round letters like O and Q appear more rectangular than circular, and characters such as S and Z favor stepped, squared curves that reinforce the modular aesthetic. The numerals follow the same rounded-rectangle logic, giving figures a sturdy, sign-like presence. In running text the dense fill and compact counters emphasize impact over delicacy.