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Wacky Veta 8 is a very bold, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, posters, logos, packaging, album art, futuristic, playful, modular, retro, experimental, attention grabbing, retro futurism, iconic forms, decorative impact, systematic motif, rounded, stencil-like, inlaid, chunky, geometric.


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This typeface is built from chunky geometric masses with rounded corners and frequent internal cut-ins. Many letters feature a consistent horizontal “slot” or lens-shaped counter that slices through the middle, creating a stencil-like, inlaid effect. Curves are broad and circular while straights are blocky and monolithic, with openings and joints resolved via sharp, engineered cutouts rather than traditional terminals. The overall rhythm is display-oriented, with highly individualized uppercase forms and simplified, sturdy lowercase shapes that maintain a tight, modular logic.

Best suited to headlines and short display copy where its cutout geometry can be appreciated. It can work well for logos, packaging, event posters, and entertainment or tech-adjacent branding that benefits from a quirky retro-futurist tone. For longer passages, it’s likely to perform better in larger sizes with generous spacing.

The repeated midline cut and capsule counters give the face a sci‑fi instrument-panel feel, while the soft rounding and exaggerated silhouettes keep it friendly and humorous. It reads as deliberately odd and attention-seeking, more like a designed symbol set than a conventional text font. The mood lands between retro-future signage and playful experimental lettering.

The design appears intended to turn familiar letterforms into bold, modular icons through a consistent internal slicing motif. By prioritizing silhouette, repetition of the midline slot, and engineered cut-ins, it aims for maximum visual personality and immediate recognition in display contexts.

The midline apertures and tight internal counters create strong figure/ground patterns that can visually merge at smaller sizes. Numerals and punctuation follow the same carved, mechanical language, reinforcing a cohesive decorative system. The distinct, sometimes idiosyncratic letter constructions make it most effective when given space and contrast against clean surroundings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸